Jesus myth hypothesis
Most of the film is a presentation of the argument for the Jesus myth hypothesis. Flemming and those he interviews in the film make these claims:
- The history of Christianity, especially the doctrine of the earliest Christians, is consistent with Jesus having been a mythical character, with historical details only added on later.
- The Epistles of Paul, which were written before the Gospels, show no awareness on the part of the author that Jesus was supposed to have been a human being who recently lived. Paul mentions only the crucifixion, the resurrection and the ascension and presents them as having occurred in a mythic realm rather than an earthly one.
- The death-resurrection-ascension sequence was common in previous mythologies and religions, making it more likely that the Jesus character was inspired by his similar forebears than that he actually lived on Earth.
- Other details of the Jesus biography offered in the Gospels also have precedent in previous mythologies and religions, especially Judaism. For example, the “Massacre of the Innocents” scene appears to be directly inspired by a nearly identical story in Exodus.
Other criticisms of Christianity
Besides defending the Jesus myth hypothesis, the film criticizes some other aspects of Christianity:
- Flemming argues that moderate Christianity makes even less sense than a fundamentalist interpretation of Christian doctrine, asserting that the Bible contains many messages incompatible with toleration of non-Christians, who reject Jesus as the Savior of Christian doctrine and must therefore be regarded by Christians as damned.
- Flemming sees God’s demand that people believe in him or be damned as essentially mind control. He interprets Mark 3:29 and similar passages as damning anyone who doubts the existence of the Holy Spirit. He is appalled by the notion that Jesus will forgive murder, theft, and any other sin but not this type of disbelief.
- Because Jesus knows people’s innermost thoughts, and that therefore one must police one’s thoughts to avoid any doubt, Flemming summarizes this idea with the statement that the greatest sin in fundamentalist Christianity is “to think.”
- Flemming asserts that Christians have historically been obsessed with blood sacrifice, and illustrates this viewpoint by pointing out that Mel Gibson‘s 2004 film The Passion of the Christ, which contains very few scenes that do not feature graphic violence or suffering, was more financially successful than any previous film about Jesus.
- The film references poll results indicating that 44% of Americans believe, to some degree, that Jesus will come back to Earth in their lifetime, and that this sort of thinking is not conducive to long-term governmental policies.
earphones needed to watch the volume is low
Who really wrote the New Testament? Why do the gospels conflict on basic elements of the Jesus tale? Why does the Jesus tale have so much in common with previous savior gods we know are mythical? Who created the mythical Jesus, and who decided to turn Jesus into an “Historical Figure?” Based on the most contemporary research, “The Empty Cross: Why Jesus Didn’t Exist” answers all these questions and more.
No Historical Evidence
Just a sampling of the many historical errors and incredibilities contained in the New Testament.
The Real Jesus
Reveals both the true origin of Christianity and how the Jesus Tale was derived from earlier myths.
Many Gods in Israel
Despite what the Bible and religious authorities prefer us to believe, the people of Israel originally worshipped a pantheon of gods. The evolution to monotheism (singling out one of these gods, Yahweh, for sole worship) is traced from its inception.
Timeline To a Historical Jesus
How the emerging “Christ Schools” were affected by the Diaspora and a conflict between two Jewish sects over which of them would produce the Messiah, leading to the creation of a mythical Jesus. . . and, finally, revealing the secret of who decided to change Jesus into an historical figure!
Documentary presented by Anglican priest Pete Owen Jones which explores the huge number of ancient Christian texts that didn’t make it into the New Testament. Shocking and challenging, these were works in which Jesus didn’t die, took revenge on his enemies and kissed Mary Magdalene on the mouth – a Jesus unrecognisable from that found in the traditional books of the New Testament.
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From the time of Abraham to the present, this is a thought-provoking look at the God at the heart of the world’s three great monotheistic religions
An amazing follow up, second part to the original Banned From the Bible documentary, this time dealing with a new set of texts which were left out of the Bible when it was compiled at Nicea by the Catholic Church in 325AD.
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