White Producers and Entertainers continuing their war against East Asians.
another day another case of white entertainers resorting to racist casting of hiring white actors to portray East Asians . in the casting 2 asians are cast as ghost/demons and one as a maid. these racist pieces of shit also insult the Chinese community by putting out a poster with a picture of a Chinese Boy(can you say deceptive advertising?) the racist fucks at RSC continue to insult the East Asian community by having a page about this crap in the Chinese language. The racist fucks want east Asian/Chinese money not their acting talents, and why the hell those East Asian actors selling out participating in this dehumanizing play instead of protesting this racist casting?
At the end of the month The RSC will be staging an adaptation of The Orphan of Zhao.
This is a Chinese classic from the Yuan period thought to have been penned by the 13th century writer Ji Junxiang (紀君祥). Not much known about Ji Junxiang. He was born in present day Beijing and wrote six plays. Only one of his works has survived and that is Yuanbao yuan Zhao shi gu’er – The (great) Revenge of the orphan Zhao ca. 1330 (趙氏孤兒大報仇). This was the first zaju, (Chinese: “mixed drama or play”) to have been translated into the western tongue.
This was one of the major Chinese dramatic forms. Originating as a short variety play from Northern China during the Northern Song Dynasty (960-1127) and during the Yuan dynasty (1206–1368) it developed into a mature four-act dramatic form, in which songs alternate with dialogue.
Matthew Aubrey – Ti Miming
Adam Burton – The Assassin
Joe Dixon – Tu’an Gu
Jake Fairbrother – Cheng Bo
Lloyd Hutchinson – Han Jue
Youssef Kerkour – Captain of the Guard
Chris Lew Kum Hoi – Ghost of Dr Cheng’s Son/Demon Mastiff
Siu Hun Li – Demon Mastiff/Guard
Patrick Romer – Gongsun
James Tucker – Zhao Dun
Graham Turner – Dr Cheng
Stephen Ventura – Emperor Ling
Philip Whitchurch – Wei Jang
Lucy Briggs-Owen – The Princess
Nia Gwynne – Dr Cheng’s Wife
Susan Momoko Hingley – Princess’ Maid
Joan Iyiola – Demon Mastiff
And what have the Chinese ever given us in return?
Oh yeah, yeah they gave us that. Yeah. That’s true.
And The Compass
Oh yes… the compass, Reg, you remember what navigating around used to be like.
All right, I’ll grant you that Row -planting and the compass are two things that the Chinese have done…
And the seed drill…
(sharply) Well yes obviously the seed drill… the compass go without saying. But apart from the row-planting, the compass and the seed drill…
Iron Ploughs, Ships rudder
Harness for horses, Gunpowder, Porcelain, Toilet paper, Print – moveable type
The news that the revered Royal Shakespeare Company has not only given a measly three out of 17 roles in their production of the Chinese classic, The Orphan of Zhao, to Asian actors, but that these parts are for two dogs and a maid, has quite gasted my flabber. None of the main roles are played by Asians.[EDIT: two of the three asians and one black actor are working ONE puppet dog.]
We’ve been rowing about this for months alongside Anglo-Chinese actor and Equity BAME representative Daniel York who is leading the charge. [Edit: Daniel says the third out of three demon dogs is a black actor while all the main roles are white. WTF with the non-white non-human depictions?] His attempts to elicit a grown-up response from the RSC and the Arts Council have so far resulted in a condescending brush-off and a reprimand from the powers-that-be.
Yes, cross-racial casting is a wonderful idea— the problem is that it’s all one-way traffic. What happened to diversity? Note the use of a Chinese kid in their promo material (above). If they actually had the courage of their questionable conviction, they’d surely have illustrated their wares with one of their leading actors. Instead, they lack the smarts to understand why courting Chinese audiences is going down like a cup of cold sick. They want our money but not us, and certainly not our involvement as equals in this Vale of Tears.
It’s a shame that writer James Fenton, who has an impressive track-record as a progressive, has allowed the casting of his adaptation to be done along such colonialist lines. I always thought he was an anti-imperialist and all that entails.
I doubt we’d see the pillars of the culture pulling these stunts with the African-Caribbean or south Asian communities because they know they’d be exposed as something akin to white supremacists perpetuating dominance of the culture instead of using public funds to advance our consciousness beyond its current sorry state and represent everyone fairly.
Boycott racist piece of shit James Fenton
anybody in the comment section defending this or any other similar racist, dehumanizing and insulting incident will be blocked and post deleted